Hi, Chris!
I hope so, too, because I have these memories and a part of me just wants to see what a person who has been playing violin for a long time has to say about the techniques I used.
I believe that I was a Jewish girl from Germany who survived a concentration camp, and moved to Switzerland after the camp, and became a violinist and violin teacher, to briefly summarize.
Edit:
Here is what I remember about violin:
My teacher used to make me practice playing with a small ball in the palm of my hand while I held the bow to help me get the proper hand shape.
I told a student to relax her wrist on her bow hand and work the movement of the bow with her elbow.
I was so confused until this Tuesday when I finally bought my first violin in this life because I remember rubbing the horse hair on the bow with a block of something. I know now that that was probably resin.
I could tune the violin by listening to the strumming of the strings, not having to actually run the bow over them. This is not to imply that I didn't tighten or loosen them, but I could hear whether they were in tune or not by a strum.
My husband in that life decided to, "surprise," me with a violin after getting out of the camp since I had lost my first violin to the Nazis. To me, it wasn't of very good quality. I went to the music or violin shop and bought a (the equivalent to) $300 bow, and really expensive strings and it sounded so much better. He was pissssssssed.
I have only had a violin in this life since Tuesday.