KarenF
Member
The first thing to know about me is that my parents were strict atheists. They felt that religion was indeed the opiate of the masses and responsible for much of humanity's suffering both past and present, and that anything spiritual was poppycock and either a refuge for weak minds or a money-making scheme. That was how I was raised.
However they were also members of a Unitarian church with a very secular approach -- no ministers, only guest speakers, while downstairs at Sunday School I was being taught about all the world's religions. I'm pretty sure I must have first heard about reincarnation there. And of the three theories I knew -- the other two were Heaven vs. Hell, which all my friends believed, and cessation of consciousness, which my parents believed -- reincarnation was the only one that made sense to me, for reasons I could not articulate. It seemed quite natural to believe in it, though as a child I never told anyone I did.
The other things about my childhood were that I always felt male in a female body, and I had a very strong sense of being damaged, as if something terrible had happened to me that I'd forgotten, as well of being certain there was something terribly wrong with me, so I deserved no rights and must never trust myself. My crime? Drawing violent pictures. My mother labelled me as bloodthirsty even though I never got into fights with other kids or hurt animals or anything like that. By the time my contiguous memories start (age 6) I wasn't doing it so much any more and had forgotten most of it, but I was certainly still being teased and ridiculed and dismissed. Apparently I'd been in the habit of drawing stick-man battles with swords and spears, that were realistically gruesome... so prolifically that my mother was happy that we had a fireplace, because they were too many to throw away. I do remember arguments with her because I wanted to keep every last one. And I had a vague sense that I had an epic story in me, but a lot of shame about it. "Something wrong with me" was a theme, maybe the main theme, of my life.
Several times I thought I'd grow out of feeling that epic, but I never did. I began writing about swords and spears and battles again at age 13 or so after reading a historical novel set in ancient Greece. I'd been interested in Greek mythology since I'd first discovered it, knew all the stories and, after explorations into other mythologies, was firmly of the opinion that it was by far the best mythology of any culture: the most sophisticated, clever, dramatic, moving, etc.
Learning that there was a genre of writing known as "fantasy," I began letting that epic, which was feelings more than anything else, come out in that context. I published three novels in the early nineties, but, unlike most authors, didn't move on to other stories. I stuck with it, in fact, for about 40 years, writing a good two million words, between the original and updated versions.
What it's about is a warrior-king type who conquers a great empire, never loses a battle, is bi and has multiple lovers in a kind of crazy personal life, loses his father to assassination by knife, becomes head of state at the age of 20, is a brilliant strategist and warrior, is very charismatic and deeply loved by his warriors, thinks outside the box, purposely spreads culture and technology, comes to be worshipped as a God by some, is very generous but can be wicked ruthless, gets in trouble with some of his own people for taking on the ways of the conquered empire too much, and dies young.
Another thing I explored in it was how different cultures have different degrees of suffering. Ever since my late teens when I came to a basic understanding of political and cultural structures, I'd been fascinated by the question of whether it was possible to socially engineer general happiness, i.e. create a "perfect" society.
Why did that story obsess me? I had no idea, but it just felt right so I went with it.
…2/
However they were also members of a Unitarian church with a very secular approach -- no ministers, only guest speakers, while downstairs at Sunday School I was being taught about all the world's religions. I'm pretty sure I must have first heard about reincarnation there. And of the three theories I knew -- the other two were Heaven vs. Hell, which all my friends believed, and cessation of consciousness, which my parents believed -- reincarnation was the only one that made sense to me, for reasons I could not articulate. It seemed quite natural to believe in it, though as a child I never told anyone I did.
The other things about my childhood were that I always felt male in a female body, and I had a very strong sense of being damaged, as if something terrible had happened to me that I'd forgotten, as well of being certain there was something terribly wrong with me, so I deserved no rights and must never trust myself. My crime? Drawing violent pictures. My mother labelled me as bloodthirsty even though I never got into fights with other kids or hurt animals or anything like that. By the time my contiguous memories start (age 6) I wasn't doing it so much any more and had forgotten most of it, but I was certainly still being teased and ridiculed and dismissed. Apparently I'd been in the habit of drawing stick-man battles with swords and spears, that were realistically gruesome... so prolifically that my mother was happy that we had a fireplace, because they were too many to throw away. I do remember arguments with her because I wanted to keep every last one. And I had a vague sense that I had an epic story in me, but a lot of shame about it. "Something wrong with me" was a theme, maybe the main theme, of my life.
Several times I thought I'd grow out of feeling that epic, but I never did. I began writing about swords and spears and battles again at age 13 or so after reading a historical novel set in ancient Greece. I'd been interested in Greek mythology since I'd first discovered it, knew all the stories and, after explorations into other mythologies, was firmly of the opinion that it was by far the best mythology of any culture: the most sophisticated, clever, dramatic, moving, etc.
Learning that there was a genre of writing known as "fantasy," I began letting that epic, which was feelings more than anything else, come out in that context. I published three novels in the early nineties, but, unlike most authors, didn't move on to other stories. I stuck with it, in fact, for about 40 years, writing a good two million words, between the original and updated versions.
What it's about is a warrior-king type who conquers a great empire, never loses a battle, is bi and has multiple lovers in a kind of crazy personal life, loses his father to assassination by knife, becomes head of state at the age of 20, is a brilliant strategist and warrior, is very charismatic and deeply loved by his warriors, thinks outside the box, purposely spreads culture and technology, comes to be worshipped as a God by some, is very generous but can be wicked ruthless, gets in trouble with some of his own people for taking on the ways of the conquered empire too much, and dies young.
Another thing I explored in it was how different cultures have different degrees of suffering. Ever since my late teens when I came to a basic understanding of political and cultural structures, I'd been fascinated by the question of whether it was possible to socially engineer general happiness, i.e. create a "perfect" society.
Why did that story obsess me? I had no idea, but it just felt right so I went with it.
…2/